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How to make a synth sound thicker
Gazillion Industries ·
The synths on Vangelis's Blade Runner score hang in
the air like fog over a city that never turns the lights off. The preset you just
loaded hangs there like a single strand of dental floss.
To make a synth sound thicker, stack more going on inside the sound, then add
density and space around it. Use unison voices with a little detune, add a second
oscillator an octave or a fifth away, use a sub oscillator kept in mono, add chorus,
saturate it for harmonics, compress it for sustain, and widen it while keeping the
low end centered. If it gets harsh, low-pass it and pull back the resonance.
The short version
- Unison
- several voices, gently detuned
- Oscillators
- add one an octave or fifth away
- Sub
- a sub oscillator, kept mono
- Chorus
- movement and width
- Saturation
- harmonics and density
- Harshness
- low-pass, less resonance, darker drive
Thicken it at the source
The synth itself is the best place to start. Turn on unison and add a few voices
with a small amount of detune: the slight pitch differences beat against each other
and the sound spreads out. Add a second oscillator an octave below or a fifth above
for weight. A sub oscillator gives it a floor. Don't overdo the detune; past a point
the synth sounds out of tune rather than thick.
Chorus and width
Chorus copies the sound, delays the copies slightly and modulates them, which adds
movement and width. It's the classic way to make a thin pad bloom. Widen the synth,
but keep its low end and any sub centered, and check it in mono so the width doesn't
cancel into something thinner than where you started.
Saturate it
Saturation adds harmonics and brings the quieter parts of the sound up toward its
peaks, so the synth takes up more room. On a bright synth, use a darker setting or
low-pass after it so the added harmonics don't turn fizzy. More in how to use saturation in a mix.
Feed
BEEFY
a thin synth and turn up the big knob. The demo on the page is 28 seconds.
How to make a synth sound thicker
- Turn on unison with three to seven voices and a small detune.
- Add a second oscillator an octave down or a fifth up, mixed lower.
- Add a sub oscillator if the part needs a floor, and keep it mono.
- Add chorus for movement and width.
- Saturate it, then match levels against bypass.
- Compress lightly so the notes sustain evenly.
- Low-pass or pull back the resonance if it turns harsh.
- Give it a little reverb so it sits in a space.
Layering
Two simple synths often beat one complicated one. A soft pad under a plucky lead,
or a sustained layer under short stabs, fills the gaps without making either part
busy. Filter each layer to its own range so they add up to one thick sound instead
of two competing ones.
Questions people ask
How do I make a synth sound less harsh?
Lower the filter cutoff or add a low-pass after the synth, reduce the resonance,
use fewer bright oscillators, and cut a little in the upper mids where it bites. If
saturation is involved, use a darker setting.
How do I make a synth sound more full?
Add unison voices with a small detune, a second oscillator an octave or fifth away,
chorus for width and saturation for density, and support it with a pad or sub layer.
Keep the low end in mono.
Does detune make a synth thicker?
A little does: slightly detuned unison voices beat against each other and spread
the sound. Too much makes it sound out of tune, so stop when it starts to wobble.
Stock plugins that do this
- FL Studio
- Fruity Chorus; Fruity Blood Overdrive
- Ableton Live
- Chorus-Ensemble; Saturator
- Logic Pro
- Ensemble or Chorus; ChromaGlow (Logic Pro 11 and later)
What BEEFY does
BEEFY is our saturation and loudness plugin, and there's no drum-only rule: feed it a
thin synth. It adds body, squeezes some space out of the peaks and brings out
harmonics that help a sound feel bigger. Use a little BEEF for weight
and presence, or push it for an obviously saturated sound. COOK
moves the color from rounder toward brighter, which on a synth decides how much edge
you add.
Nobody's asking for the whole fog bank. Just more than a strand of floss.
Keep reading
- How to make your beats sound fuller — Cover the frequency range, layer and double, add saturation, width and space.
- How to make bass fatter — Layer a sub and mid-bass, add harmonics, compress for consistency, and make it growl.
- How to use saturation in a mix — Bass, drums, vocals, synths, buses and the master: what saturation is for and how much to use.
BEEFY — saturation and loudness plugin for Mac and Windows. There is
a 28-second demo with three without/with comparisons on the page.
Hear it — $19